Live

by Patty Waters

/
  • Streaming + Download

    Pre-order of Live. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    Purchasable with gift card
    releases September 20, 2019

      $7 USD  or more

     

  • Record/Vinyl + Digital Album

    12" black vinyl pressing of "Live" by Patty Waters, in a heavy duty Stoughton tip-on jacket.

    Includes digital pre-order of Live. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    digital album releases September 20, 2019
    item ships out within 7 days

      $25 USD or more 

     

  • Compact Disc (CD) + Digital Album

    CD of Patty Waters "Live," packaged in a jewel case with 8-page booklet.

    Includes digital pre-order of Live. You get 2 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    digital album releases September 20, 2019
    item ships out within 7 days

      $15 USD or more 

     

1.
2.
I'm So Lonesome I Could Cry
3.
Lover Man
4.
I Love You Porgy
5.
6.
Strange Fruit - Nature Boy
7.
Lonely Woman
8.
Hush Little Baby
9.
Wild Is The Wind

about

Patty Waters is a visionary avant-garde vocalist and composer, best known for her groundbreaking 1960s recordings for the legendary free jazz label ESP-Disk. Captivated by the music of Billie Holiday, she sang with Bill Evans, Charlie Mingus, Chick Corea, and Herbie Hancock before coming to the attention of Albert Ayler, who introduced her to ESP-Disk’s Bernard Stollman. The rest is history. Recorded with pianist Burton Greene, Waters’ haunting 1966 debut Sings juxtaposes a side of hushed self-composed jazz ballad miniatures with an iconoclastic take on the standard “Black Is the Color of My True Love’s Hair.” Sharing Ayler’s affinity for the deconstruction of folk idioms, Waters dismantles the tune through a series of anguished wails, moans, whispers, and screams that cemented her reputation as a vocal innovator, predating the extended techniques of Yoko Ono, Joan La Barbara, and Linda Sharrock, and cited as a direct influence to Diamanda Galas and Patti Smith’s own freeform vocal excursions. The mythic side-long exposition stands as one of the 20th century’s most harrowing expressions of madness and grief, its incantatory mutilation of the word “black” into a full-spectrum monochrome resounding with a particular potency at a time when battles for civil rights were erupting across the country.

After recording a second ESP-Disk album Waters disappeared from the music scene, moving from New York to California to raise her son. It wasn’t until 1996 that she returned with a new recording of jazz standards associated with Billie Holiday and began performing sporadically. Her Blank Forms concert—with original pianist Burton Greene as well as bassist Mario Pavone and percussionist Barry Altschul, both veterans of Paul Bley’s ensembles—was Waters’ first New York appearance since 2003. Dedicated to Cecil Taylor, who had passed away moments before she took the stage, Patty Waters Live preserves the mournful tension that was in the air that night. Her first new release on vinyl since 1966’s College Tour, the record divides the session in the spirit of her debut. Side A features a set of desolate ballads, including Waters’ own classic “Moon, Don’t Come Up Tonight,” while the B-side puts into stark relief the fact that the fight for civil rights that Waters invoked over 50 years ago is far from over. Beginning with her rendition of “Strange Fruit,” a 1937 song written in protest of black lynching and American racism, the suite’s form-bending contortions also features the second-ever recording of Waters’ original, exceptional lyrical take on Ornette Coleman’s “Lonely Woman.” Equally adept at channeling the heartbroken intimacy of Lady Day and the catharsis of The New Thing, on April 5th, 2018 Waters proved that she has lost none of her fire, remaining one of the greatest living jazz singers.

credits

releases September 20, 2019

license

all rights reserved

tags

about

Blank Forms Editions Brooklyn, New York

Blank Forms is a non-profit organization dedicated to supporting emerging and underrepresented artists working in a range of time-based and interdisciplinary art practices, including experimental music, performance, dance, and sound art. Blank Forms provides artists with curatorial support, residencies, commissions, and publications to help document, disseminate, and advance their practices. ... more

contact / help

Contact Blank Forms Editions

Streaming and
Download help

Redeem code

If you like Live, you may also like: